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    <title>Theater on Hammerschlag</title>
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    <description>Recent content in Theater on Hammerschlag</description>
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    <copyright>Simon Schultz</copyright>
    <lastBuildDate>Mon, 01 Dec 1980 00:00:00 +0000</lastBuildDate>
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      <title>Homosexuals as a Victim Group under the Nazis</title>
      <link>https://hhammerschlag.de/en/notizen/homosexuellealsopfergruppe/</link>
      <pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate>
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      <description>&lt;p&gt;The knowledge now widely accepted regarding the persecution of gay men under National Socialism was first addressed in the mid-1970s, initially within the gay rights movement and later among the general public.&lt;/p&gt;
&lt;p&gt;The first program of the theater group &lt;a href=&#34;https://de.wikipedia.org/wiki/Br%C3%BChwarm&#34;&gt;&amp;ldquo;Brühwarm&amp;rdquo;&lt;/a&gt; from 1976 included a scene that addressed this persecution.
The authors
Hans-Georg Stümke and Rudi Finkler, who were also active in the Hamburg gay rights movement, published the monograph &lt;a href=&#34;https://archive.org/details/rosawinkelrosali0000stum/page/n7/mode/2up&#34;&gt;Rosa Winkel, Rosa Listen.
Homosexuals and &amp;ldquo;Healthy Public Sentiment&amp;rdquo; from Auschwitz to the Present.&lt;/a&gt;&lt;/p&gt;</description>
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      <title>Ulrich Waller »The Accidental Death of Christian K« (Malersaal)</title>
      <link>https://hhammerschlag.de/en/geschichte/theaterst%C3%BCck-im-malersaal/</link>
      <pubDate>Mon, 01 Dec 1980 00:00:00 +0000</pubDate>
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      <description>&lt;p&gt;&lt;a href=&#34;https://www.queer.de/detail.php?article_id=36465&#34;&gt;queer.de&lt;/a&gt; writes about it:&lt;/p&gt;
&lt;blockquote&gt;
&lt;h3 id=&#34;the-peep-show-for-cops-as-a-play-at-the-hamburg-schauspielhaus&#34;&gt;The &amp;ldquo;Peep Show for Cops&amp;rdquo; as a play at the Hamburg Schauspielhaus&lt;/h3&gt;
&lt;p&gt;The scandal not only influenced socio-political consciousness but also stimulated creativity. As early as December 1980, the events were taken up in a play. In &amp;ldquo;The Accidental Death of Christian K.,&amp;rdquo; director Ulrich Waller critically examined the power of police officers in 20 short scenes. Here, they are &amp;ldquo;confronted with their stupidity and criminality; their perversions are exposed to ridicule&amp;rdquo; (&amp;ldquo;Du &amp;amp; Ich,&amp;rdquo; March 1981, p. 48). In all the scenes, Waller drew on real events, which he portrayed in a satirically exaggerated manner.&lt;/p&gt;</description>
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